日本團-飯田女子高等學校木偶俱樂部

日本團:飯田女子高等學校木偶俱樂部

飯田女子高等學校位於長野縣南部的飯田市,幾乎位於日本群島主島本州的中心。木偶表演俱樂部成立於1962年,曾在幼兒園,兒童之家和福利機構進行表演。它還參加了日本最大的木偶戲節日的飯田木偶節(Iida Puppet Festival)的活動,是一個成立多年的木偶劇團。

2016年,俱樂部開始在黑田人形工作,黑田人形是長期以來在飯田的黑田地區流傳下來,是日本的人形淨琉璃(Ningyo Jyoruri)(文樂)(Bunraku)或傳統音樂木偶劇場的風格。該俱樂部於2018年在長野舉行的全日本高中文化節上首次表演黑田人形,當時文化節的木偶戲部分在飯田女子高等學校舉行,因此俱樂部對文化節自己的演出進行了一些節目安排管理。

黑田人形被列入日本政府指定的非物質文化財產名單,其木偶由三名傀儡大師操縱。它是由一位名叫正覺真海(Shokaku Shinkai)的和尚於17世紀晚期在元祿時代(Genroku Era)向該地區的年輕人首次推出的。從那時起,人們一直試圖透過邀請人形淨琉璃蓬勃發展的大阪或淡路的大師們來努力提高他們的技能,此種劇已經流傳至今。

演出節目

傾城阿波的鳴門--順禮歌之段

劇情介紹

該劇講述了一個悲劇,發生在封建日本的一個武士戰士的家庭。這是一個特別的行動—順禮歌之段(Junrei -Utano-Dan),武士十郎兵衛(Jurobei)偽裝成一名職業強盜,並與他的妻子弓(Oyumi)一起加入在大阪一大群強盜集團,以尋找並帶回他主人被盜的劍。

他的上司認為寶劍可能會進入黑市,所以他們離開了他們心愛的女兒,讓女兒和家鄉德島的祖父母一起。有一天十郎(Jurobei)不在,弓(Oyumi)收到一封警方要突襲的警告信,並建議他們立即逃跑。當她讀畢信件時,弓(Oyumi)碰見有一個年輕女孩訪客造訪,從德島一路旅行,一直在尋找父母。 當弓(Oyumi)詢問她父母的名字,立即就知道這個女孩是他們自己的女兒。弓(Oyumi)想告訴女孩她是她的母親,但她不能,因為懷疑女兒也會被認為是強盜幫夥的成員。長途跋涉的疲憊,女孩要求弓(Oyumi)給她住宿,但弓(Oyumi)違背她自己的真實願望,推開女孩。

演出時間及地點

1.108年10月11日(五) 下午4點 斗六人文公園
2.108年10月12日(六) 下午4點 斗六人文公園


Iida girls’ high school puppet show club

Iida girls’ high school is in Iida-city, which is located in the south of Nagano prefecture, which lies almost in the center of Japan’s main island, Honshu/ of the Jpanese Archipelago. The Puppet Show Club was established in 1962 and has given performances at nursery schools, children's houses and welfare facilities. It has also participated in Iida Puppet Festival, which is the biggest puppet show festival in Japan, as a puppet troupe for many years.

n 2016, the club started working on Kuroda Ningyo. It is a style of Ningyo Jyoruri (Bunraku) or a traditional musical puppet theater in Japan and has long been handed down in Kuroda district, Iida. The club first performed Kuroda Ningyo in All-Japan High school Cultural Festival in Nagano in 2018, when its puppet show division was held in Iida Girls’ High school and so the club did some management of the festival as well as its own performance.

Kuroda Ningyo is on the list of Intangible Cultural Properties designated by the National Government and its puppets are manipulated by three puppet masters. It was first introduced by a priest named Shokaku Shinkai to young people in the region in Genroku Era, late17th century. Since then, people have tried to improve their skills by inviting great masters from Osaka or Awaji, where Ningyo Joruri flourished, and the theater has been handed down to this day.

The Title of program

Junrei-Utano-Dan from Keisei-Awa-No-Naruto

Description

The play tells a tragedy that happened to a samurai warrior’s family in fudal Japan. In this particular act, Junrei-Utano-Dan, the samurai warrior Jurobei disguises himself as a professional robber and joins a big band of robbers in Osaka along with his wife Oyumi in order to find and bring back his lord’s stolen sword.

Which his superior thinks might come to the black market. They have left their beloved daughter with her grandparents in their hometown, Tokushima. One day in Jurobei’s absence, Oyumi receives a letter which warns of a police raid and advises them to run away immediately. When she finishes reading, Oyumi has a young girl visitor who has traveled all the way from Tokushima by herself searching for the parents. Oyumi asks her parents’ names and knows instantly the girl is their daughter herself. Oyumi wants to tell the girl that she is her mother, but she can’t, suspecting that the daughter should also be regarded as a member of the band of robbers. Exhausted from long walk, the girl asks Oyumi to give her lodging but Oyumi pushes the girl away against her real wish.

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